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Gianni Rodari and Bruno Munari have always paid close attention to the world of childhood, united by a shared desire to free images and words, helping us discover the joy of invention, imagination, and creativity.

By combining seemingly opposite and distant elements, imagining unexpected syntheses and solutions, they gave new meanings to letters and signs, pursuing parallel paths for years that also converged in books such as Filastrocche in cielo e in terra, Favole al telefono, Il pianeta degli alberi di Natale, Il libro degli errori, La torta in cielo, Il gioco dei quattro cantoni, and C’era due volte il barone Lamberto.

In the illustrations created for Rodari, Bruno Munari manages, with his lightness and unmistakable style, to recreate the same poetry found in Rodari’s stories and rhymes, enriching their fantastical side and their ability to amaze.

In this book, a rich selection of Munari’s “signs” is accompanied—not only by quotes from various Rodari books—but also by a testimony from Antonio Faeti and unpublished texts by Riccardo Falcinelli and Marco Belpoliti. These texts explore how Munari’s drawings fit into the history of children’s illustration, focusing on their reception and their nature as “doodles.”

A book to read and look at, to complete with your own “crooked signs and scribbles” or, on the contrary, to use as a starting point to invent new stories, letting yourself be inspired by the images.

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This volume traces a path that explores the lesser-known aspects of Arnaldo Pomodoro's work, presenting mostly unpublished material from his archive.
An itinerary that allows us to examine the constant relationship in the artist's research between micro-dimension, the one linked above all to the design and creation of artist's jewelry, and macro-dimensional interventions of an architectural and landscape nature.

Arnaldo Pomodoro: il movimento possibile gathers together for the first time a set of previously unpublished works created from the second half of the 1950s onwards, offering the reader a unique opportunity to explore the artist's beginnings and the most important stages of his career, accounting for friendships and collaborations with poets such as Paolo Volponi, Attilio Bertolucci and Emilio Villa.

Arnaldo Pomodoro: il movimento possibile, curated by Alberto Salvadori and realized in collaboration with the Arnaldo Pomodoro Foundation, stems from the exhibition held at Galleria Cortesi in Palazzo Morigi, Milan.

Photo credit: Società Editrice Allemandi, 2025

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A sunflower, a chick, a raincoat--discover the color yellow with this little cardboard book full of pop-ups!

Mini pops are durable cardboard books designed for those who love color and surprises.

Each book is dedicated to a color and associated with elements that become pop-ups: a sunflower, a ladybug, a frog, candy...

Whether animals, objects or poetic concepts, colors come in all their forms and will surprise the reader with fun pop-ups in every opening!

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Spray paint cans to coat walls, works that self-destruct and others that don't cost much money, unusual theme parks: that is all it takes to recognise Banksy, but no one really knows who he is.

Fausto Gilberti’s new book, dedicated to the street artist with a hidden identity, is full of question marks: Banksy is hiding somewhere, and we have a lot of fun chasing his graffiti all over the world. And we can't forget the day he put sharks in a lake in a London park, or when there were no walls around and he painted on the cows in a field. And what about the time he walked into the Louvre and hung a painting without asking permission?

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Drawing freely taken from Emilio Isgrò's work «Mari di Sicilia» 2016.

Bold experimenter, visual poet, courageous, he was the first to understand that in cancellation the same energy as creation can be released.

In Gibellina, together with Ludovico Corrao he witnessed one of the most significant Sicilian renaissances, and today, more than forty years after that experience, Emilio Isgrò continues to believe in Sicily and its innovative capacity.

Material: ceramic

Dimensions: diameter 33  cm

Packaging dimensions: 40×41 cm

Hand painted, dishwasher washing is not recommended.

Made in Italy

Courtesy of the Emilio Isgrò Archive. All rights reserved.

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The Epic of Gilgamesh is the oldest epic poem known to humanity, the earliest form of writing ever discovered, dating back over 4,000 years. The deeds of the Sumerian hero, inscribed on clay tablets, were uncovered in Iraq—ancient Mesopotamia—the land of rivers where the first human civilizations were born, and where, in the ancient city of Nineveh, the first library in history was established.

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Hand-forged fire-treated bronze bracelet, with untreated 925 sterling silver chain.

Available in 2 sizes ( select during purchase ):

Small 18 cm
Big 19,5 cm

Nickel free.

From a drawing by Arnaldo Pomodoro.

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Poster realized in collaboration with Almo Collegio Borromeo in Pavia, in occasion of the opening of the Horti&Arte
2022, h 70 x 50 cm



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Buckle in silver, 1997
12 x 7 cm
Edition of 300 pieces + 21 in roman numbers
SIZE 105
Signed and numbered, they each come with a certificate of authenticity. Realised for Orciani Srl, Fano

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Arnaldo Pomodoro, "Carapace" bozzetto, bronze, 2003

4,5 x 15,5 x 12 cm

Extent of edition undefined

Lost-wax casting, Microfonderia Geccherle, Milan

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Catalogue published on the occasion of the exhibition at the Foundation: "Arnaldo Pomodoro. A Una scrittura sconcertante" (10.04.2013 - 28.06.2013), curated by Flaminio Gualdoni.

Arnaldo Pomodoro’s work emerged, in the mid-1950s, at the center of the heated debate on art autre, fueled in Italy by the significant contribution of Francesco Arcangeli’s theories of a “new naturalism.” For some, this moment represented a point of arrival. For others, including the very young Pomodoro, it was a climate already showing signs of crisis and an urgent need to move beyond it—particularly in an anti-historical direction [...]

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Exhibition catalog, curated by Flaminio Gualdoni, held at the Biblioteca di Via Senato in Milan in 2001.

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2017

What’s inside the big crate of Lucia the giraffe? And in Carmela the zebra’s trunk? Let’s knock. Knock knock. And one by one, parcels, suitcases, and baskets open up—full of surprises and always different animals.

Together with eight other texts, Toc Toc is part of the historic Libri del ’45 series, which Bruno Munari devoted himself to after the birth of his son Alberto.Books made with die-cuts, holes, and large, elegant illustrations that invite readers into a world of discovery and exploration, keeping everyone enchanted by the magic that paper can create.This series—a timeless classic that in 2025 celebrates 80 years since its first edition—has preserved its originality and aims to spark children’s curiosity by showing them that there’s always something hidden inside something else, encouraging them to explore with a sense of wonder.

Many of these texts were inspired by the games and rituals Munari shared with his son Alberto, which he later chose to put down on paper.

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In this leporello book, exquisite images with contrasting colors and poetic text welcome the baby who has just entered life.

The pages, illustrated on both sides, open to form a large scene that embraces the baby and immerses him or her in a world of reassuring shapes and colors.

To learn about the first images of the world around us.

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A whale, jeans, the sky...discover the color blue with this little cardboard book full of pop-ups!

Mini pops are durable cardboard books designed for those who love color and surprises.

Each book is dedicated to a color and associated with elements that become pop-ups: a sunflower, a ladybug, a frog, candy...

Whether animals, objects or poetic concepts, colors come in all their forms and will surprise the reader with fun pop-ups in every opening!

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Pendants made of silver and coated with enamel.

Refer to the legend image to select the desired Sign. 

This ornament is a tribute to the artistic partnership between Maestro Arnaldo Pomodoro and Ludovico Corrao, the creative mind behind the rebirth of Gibellina and the Orestiadi Foundation. The “Oreste's Chariot” is one of the stage machines created by Arnaldo Pomodoro for Emilio Isgrò's Orestea, which was staged on the ruins of Gibellina in 1983. This chariot wheel carries with it the signs of an ideal alphabet of the Mediterranean, a dream of a sea of peace.

Handmade in Italy by Matteo Bonafede for Artensis and Fondazione Orestiadi.

The sale is limited to the single charm. Other items such as lanyards, hooks or accessories are not included.

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Reproduction of the “Black Roll”, “Yellow Roll”, “Silver Roll” by Carla Accardi. The packaging is designed to complement the artwork, it’s advised not to open. Courtesy of the Accardi Sanfilippo Archives. All rights reserved. Limited edition.

Reproduction of the “Silver roll” 20 x 12 cm

Reproduction of the “Yellow roll” 25 x 43 cm

Reproduction of the “Black roll” 25 x 43 cm

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My name is Marina Abramović, and before I tell you my story, I want you to close your eyes with me for a few seconds.

For Marina Abramović, who has been passionate about art since childhood, painting was not enough.

She was fascinated by the possibility of creating with anything, with fire, with air, with smoke, and even with the human body. So she began to perform in front of audiences with performances all over the world coming to be seen by millions.

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Arnaldo Pomodoro for Taobuk, 2024

L'Antenna del tempo

Serigraphic print, 49.5 × 35 cm

Edition of 100 copies

Printing house: Arte 3 di Alberto Serighelli, Milano

Based on the visual concept specifically designed by Arnaldo Pomodoro for the XIV edition of Taobuk (Taormina International Book Festival).

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From Japan to America and back: in his new book, Fausto Gilberti gives the floor to Yayoi Kusama, who tells her story in the first person.

Born in Matsumoto, Yayoi has loved drawing since she was a child (even things that others don’t see) and she flies to New York to become an artist.

Her art astonishes the audience with always new ideas: Yayoi fills large canvases with grids of dots, uses her happenings to deliver important messages, and designs clothes to be worn by two people... Creating her works makes her feel good, no matter their form: from the famous pumpkins to rooms full of lights and mirrors that reflect everything infinitely.

After the books dedicated to Piero Manzoni, Yves Klein, Jackson Pollock, Marcel Duchamp, and Lucio Fontana, the series grows with Yayoi Kusama, in which the artist Fausto Gilberti tells us, with intelligence and a playful eye, the works of great figures in contemporary art.

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Born in France into a family of tapestry restorers, Louise Bourgeois loved studying mathematics and helping her mother with her work as a weaver. She enjoyed drawing so much that, over time, she decided to become an artist.

A dream come true in New York, the city where she would move and live for the rest of her life: here, Louise became the first sculptor to have an exhibition at MoMA. Louise sculpted slender figures representing her loved ones left behind in France, filled entire sheets of paper with words, just like in school, and used objects she had kept from childhood to create her works... She even built a giant spider! And if spiders scare you, after reading this book, you might look at them with different eyes.

After Piero Manzoni, Yves Klein, Jackson Pollock, Marcel Duchamp, Lucio Fontana, Yayoi Kusama, and Banksy, the book dedicated to Louise Bourgeois adds to the series in which the artist Fausto Gilberti tells us, with intelligence and a playful eye, the works of great figures in contemporary art.

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"Milan. Year 1949. Lucio Fontana is working in his studio on Corso Monforte. He is not satisfied with how a painting is turning out, so he decides to destroy it. He grabs a blade and... SLASH!"

With his gesture, both destructive and innovative, Lucio Fontana managed to synthesize something unique: he was able to represent space, infinite space, with a cut in the canvas. This is how his famous Concetti Spaziali were born—works made of holes and cuts, in paper, terracotta, canvas, or metal, that Fontana created with focus and determination.

In the same series, in which the artist Gilberti tells us, with intelligence and a playful eye, the works of great figures in contemporary art, we find the stories of Yves Klein, Piero Manzoni, Marcel Duchamp, Lucio Fontana, Yayoi Kusama, and Banksy.

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Edited by Vincenzo de Bellis and Alessandro Rabottini

A collection of conversations between the authors and 37 artists, whose work has made a significant contribution to the Italian and international art scene since 2000.

The volume is co-published in two editions, Italian and English, by Lenz and Les Presses du réel

A choral and interdisciplinary vision of Italian visual culture through the words of 37 artists whose work has made a significant contribution to the national and international art scene since 2000: it is Strata: Italian art since 2000. The words of the artists, edited by by Vincenzo de Bellis and Alessandro Rabottini.

The volume - with whose project the Arnaldo Pomodoro Foundation won the tenth edition of the Italian Council - is the personal story of meetings, friendships and professional relationships that the authors have cultivated over the last twenty years.

The volume collects extensive individual conversations between the authors and artists representative of the Italian scene of the last twenty years: Yuri Ancarani, Giorgio Andreotta Calò, Francesco Arena, Rosa Barba, Elisabetta Benassi, Luca Bertolo, Rossella Biscotti, Chiara Camoni, Gianni Caravaggio, Giulia Cenci, Danilo Correale, Roberto Cuoghi, Enrico David, Patrizio di Massimo, Lara Favaretto, Formafantasma, Linda Fregni Nagler, Giuseppe Gabellone, Martino Gamper, Francesco Gennari, Massimo Grimaldi, Petrit Halilaj, Adelita Husni Bey, Giovanni Kronenberg, Luisa Lambri, Marcello Maloberti, Diego Marcon, Masbedo, Luca Monterastelli, Adrian Paci, Diego Perrone, Alessandro Pessoli, Paola Pivi, Pietro Roccasalva, Alessandro Sciarroni, Marinella Senatore, Francesco Vezzoli.

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