KOOL. A Type Specimen is an artist’s book built around KOOL (“cabbage” in Dutch), a new font designed by Reus in collaboration with Antonio de la Hera and Kia Tasbihgou. Halfway between a vegetal alphabet and concrete poetry, the KOOL font includes 26 lowercase letters, 26 uppercase letters, a full set of numbers, 16 punctuation marks, and 6 symbols. It is the result of a three-year research project by the artist, focused on the visual and calligraphic relationship between red cabbage scraps and the letters of the Latin alphabet. The book created by Reus to present the font takes inspiration from the traditional format of the type specimen book—the sample book used by type foundries to showcase the wide range of graphic possibilities, layouts, and configurations of a new typeface.  

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The catalogue raisonné of Arnaldo Pomodoro, is the result of years of systematic cataloguing work of the artist's entire sculptural oeuvre, from 1953 to 2003, accompanied by the first complete documentary research on the entire existing bibliography.

Editor: Flaminio Gualdoni.

Two volumes in Italian and English. Hardcover with slipcase. Skira Editore. Milano. 2007

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This volume traces a path that explores the lesser-known aspects of Arnaldo Pomodoro's work, presenting mostly unpublished material from his archive.
An itinerary that allows us to examine the constant relationship in the artist's research between micro-dimension, the one linked above all to the design and creation of artist's jewelry, and macro-dimensional interventions of an architectural and landscape nature.

Arnaldo Pomodoro: il movimento possibile gathers together for the first time a set of previously unpublished works created from the second half of the 1950s onwards, offering the reader a unique opportunity to explore the artist's beginnings and the most important stages of his career, accounting for friendships and collaborations with poets such as Paolo Volponi, Attilio Bertolucci and Emilio Villa.

Arnaldo Pomodoro: il movimento possibile, curated by Alberto Salvadori and realized in collaboration with the Arnaldo Pomodoro Foundation, stems from the exhibition held at Galleria Cortesi in Palazzo Morigi, Milan.

Photo credit: Società Editrice Allemandi, 2025

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Francesco Leonetti

Edited by Marco Rustioni. Afterword by Aurora Dobzelli.

Publication edited by the Arnaldo Pomodoro Foundation on the occasion of the centenary of Francesco Leonetti’s birth (1924–2017).

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Follow Pimpa through the streets of Milan!

Together with his friends, he will accompany you to discover the city and its wonders: the basilica of Sant'Ambrogio, the Navigli district, the secrets of the Duomo...

On the streets of the metropolis you will meet an extraordinary character, Leonardo da Vinci, and the memories of grandparents will reveal small curiosities.

The recipe for a traditional dessert will make your visit more tasty.

Edited by Vincenzo de Bellis and Alessandro Rabottini

A collection of conversations between the authors and 37 artists, whose work has made a significant contribution to the Italian and international art scene since 2000.

The volume is co-published in two editions, Italian and English, by Lenz and Les Presses du réel

A choral and interdisciplinary vision of Italian visual culture through the words of 37 artists whose work has made a significant contribution to the national and international art scene since 2000: it is Strata: Italian art since 2000. The words of the artists, edited by by Vincenzo de Bellis and Alessandro Rabottini.

The volume - with whose project the Arnaldo Pomodoro Foundation won the tenth edition of the Italian Council - is the personal story of meetings, friendships and professional relationships that the authors have cultivated over the last twenty years.

The volume collects extensive individual conversations between the authors and artists representative of the Italian scene of the last twenty years: Yuri Ancarani, Giorgio Andreotta Calò, Francesco Arena, Rosa Barba, Elisabetta Benassi, Luca Bertolo, Rossella Biscotti, Chiara Camoni, Gianni Caravaggio, Giulia Cenci, Danilo Correale, Roberto Cuoghi, Enrico David, Patrizio di Massimo, Lara Favaretto, Formafantasma, Linda Fregni Nagler, Giuseppe Gabellone, Martino Gamper, Francesco Gennari, Massimo Grimaldi, Petrit Halilaj, Adelita Husni Bey, Giovanni Kronenberg, Luisa Lambri, Marcello Maloberti, Diego Marcon, Masbedo, Luca Monterastelli, Adrian Paci, Diego Perrone, Alessandro Pessoli, Paola Pivi, Pietro Roccasalva, Alessandro Sciarroni, Marinella Senatore, Francesco Vezzoli.

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Catalogue of the exhibition Arnaldo Pomodoro. The Great Theatre of Civilizations, curated by Lorenzo Respi and Andrea Viliani.

We set off with Pimpa for a trip to Pesaro, Italian Capital of Culture 2024, a city of music and art!

A child-friendly guide in which photographs and comics combine the real with the fantastic. Games and activities, to be done in the book and outdoors, engage young readers in a journey that starts right at home, and continues through unseen routes and curiosities about Pesaro, its monuments, museums and customs.

Catalogue published in occasione of the exhibition  Personal Protective Demon  by Candice Lin winner of the sixth edition of theArnaldo Pomodoro Sculpture Prize (14/4 – 18/6/2023, Galleria d’Arte Moderna di Milano). Interview by Pavel Pys to Candice Lin.

Text in Italian and English

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Catalogue published on the occasion of the exhibition held at the Foundation: "Arnaldo Pomodoro. Grandi Opere 1972-2008" (October 04, 2008 - March 22, 2009) curated by Angela Vettese.

The photographs in this work chronicle the relationship between two masters, Pomodoro and Mulas, who left an indelible mark on twentieth-century international sculpture and photography.

Published by: Fondazione Arnaldo Pomodoro, Milan, 2008.

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Catalogue published on the occasion of the exhibition held at the Foundation: "Jannis Kounellis - Atto Unico" (September 24, 2006 - February 11, 2007) curated by Bruno Corà.


Conceived in the form of a vast plastic organism, this great creation by Jannis Kounellis bears in its central axis a morphological concatenation resulting from a single emotional design. At the basis of this imaginary structuring is the labyrinthine spatial layout that drags everything with it into its enigmatic figure of mythical destiny.

On this system, in which the metamorphic rule supports the entire poetic tension, Kounellis traces his "fresco" in space, with a "spotted" dramaturgy that affects, together with the place and the city, the problematic current affairs of an entire history, approached with the tools of an emblematic language that does not renounce its constructive dream and the idea of ​​a possible development of its imaginary premises. Bruno Corà

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Substantial monograph edited by the American critic Sam Hunter and planned by the designer Massimo Vignelli. The volume is divided into four sections: the first dedicated to the sculptor’s training, the second to the great works, the third to the theatrical sets and the last to his visionary projects, both created and not. It also contains a large bio-bibliographic apparatus and numerous illustrations.

Fabbri Editore. Milano. 1995

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What’s inside the big crate of Lucia the giraffe? And in Carmela the zebra’s trunk? Let’s knock. Knock knock. And one by one, parcels, suitcases, and baskets open up—full of surprises and always different animals.

Together with eight other texts, Toc Toc is part of the historic Libri del ’45 series, which Bruno Munari devoted himself to after the birth of his son Alberto.Books made with die-cuts, holes, and large, elegant illustrations that invite readers into a world of discovery and exploration, keeping everyone enchanted by the magic that paper can create.This series—a timeless classic that in 2025 celebrates 80 years since its first edition—has preserved its originality and aims to spark children’s curiosity by showing them that there’s always something hidden inside something else, encouraging them to explore with a sense of wonder.

Many of these texts were inspired by the games and rituals Munari shared with his son Alberto, which he later chose to put down on paper

Catalogue published on the occasion of the exhibition - held at the Foundation - of Antonella Zazzera (May - July 2016, curated by Ada Masoero), winner of the 4th edition of the Arnaldo Pomodoro Sculpture Prize. Publisher: Arnaldo Pomodoro Foundation.

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Monograph on the work carried out by Arnaldo Pomodoro for the theatre between 1972 and 2011.

The book contains a long conversation between the artist and the curator Antonio Calbi as well as numerous texts and direct testimonies of those who collaborated in staging the shows.Each set has been reconstructed through a full documentation of texts, images and correspondence, as well as a selection of press reviews. An index of names also appears among the apparatus.

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When darkness falls, it is bedtime for everyone. And if we take refuge in our beds, where do animals large and small go to hide? An album that is a discovery of all the most unsuspected beds for kittens, birds, but also moles, bats grasshoppers. And... is it true that nobody stays awake at night?

Together with eight other texts, Buona notte a tutti is part of the historic series of Libri del ‘45 to which Bruno Munari dedicated himself after the birth of his son Alberto. Books made of diecuts, holes and large, elegant drawings that invite a game of discovery and research, leaving everyone hanging on the magic that paper can do.

This series - a timeless classic that in 2025 celebrates 80 years since the first edition - retains its originality and aims to stimulate children's curiosity by making them discover that there is always something else inside something, encouraging them to search with wonder. Many of these texts were inspired by games and rituals that Munari used to play with his son Alberto, and which he then chose to put down on paper. 

Catalogue of the exhibition organised at Milan (Royal Palace, Triennale, Fondazione Arnaldo Pomodoro, Poldi Pezzoli museum) on the occasion of Arnaldo Pomodoro’s ninetieth birthday. Introduced by a conversation between Ada Masoero and the sculptor, it contains an essay by Giorgio Zanchetti and texts by Aldo Colonetti, Ada Masoero and Antonio Calbi.

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Catalogue published on the occasion of the exhibition held at the Foundation: "Tutto è felice nella vita dell'arte" (September 30 - December 11, 2015) curated by Luciano Caprile and Stefano Esengrini.

Paying tribute to Giovanni Carandente means, above all, paying tribute to art—and more specifically, to sculpture of the second half of the 20th century. Smith, Moore, Calder, Chillida, and Caro are just some of the artists whom Carandente insightfully interpreted over the course of five decades. In collaboration with Palazzo Collicola Arti Visive Spoleto – Carandente Museum, the exhibition aims to retrace the key stages of an adventure that began in 1962 in Spoleto, during the fifth Festival of Two Worlds, when 102 works by leading Italian and international sculptors were installed throughout the city’s streets and squares, giving rise to a groundbreaking open-air sculpture exhibition.

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Catalogue published on the occasion of the exhibition held at the Foundation: "1961 Tempo di Continuità" (September 24 - December 19, 2014) curated by Flaminio Gualdoni.

With this exhibition, the Foundation presents the first in-depth exploration of a brief yet intense chapter that marked the early 1960s in Italy from an international perspective: the Continuità group. It was a story of exhibitions, of course—but above all, a story of friendships, encounters, and shared enthusiasm, in which a group of leading artists experienced the season preceding their full artistic maturity.

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Flaminio Gualdoni converses with Arnaldo Pomodoro about the history of his Fondazione.

Edited by Gino Fienga.

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Gigi is looking for his cap – where on earth did he go hunting for it? Where could it be? Let’s search for it with him!
Gigi opens the wardrobe, opens the suitcase, checks inside the icebox – there’s just about everything, even a shoe and an alarm clock! But not even a shadow of the cap. He searches, rummages around, and even finds a gigantic crab in the laundry basket! And finally, he realizes that the cap had been there all along…

Along with eight other texts, Gigi Looks for His Cap is part of the historic Libri del ’45 series, which Bruno Munari dedicated himself to after the birth of his son Alberto.
Books made with die-cuts, holes, and large, elegant illustrations that invite discovery and play, keeping everyone enchanted by the magic that paper can create.

This series – a timeless classic that in 2025 celebrates 80 years since its first edition – still retains its originality and aims to spark children’s curiosity, encouraging them to discover that there’s always something hidden inside something else, and to explore with wonder.
Many of these texts were inspired by the games and rituals Munari used to share with his son Alberto, which he later chose to capture on paper.