Book that documents, trough the images by Carlo Orsi, the monumental exhibition held at the Forte Belvedere in Florence in 1984. Introduction by Italo Mussa and critical texts by Giulio Carlo Argan.

Edizione in Italiano oppure in Inglese, selezionare la lingua in fase di acquisto.

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2007

A new concept of travel book: a coloring booklet, in dialogue with the original drawings of Giuseppe Di Lernia and Daniele Morganti, and a guide to read to discover curiosities and news on the most beautiful cities in Italy.

A project by Officina Libraria in collaboration with Officine Buena Vista MiMaster, Milan 2016

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Arnaldo Pomodoro, Chalcography applied on paper, 2001. 

35 × 25 cm

Edition: 24 + 2 artist's proofs, this is number 8 of 24.

Printing house: Arte 3 di Alberto Serighelli, Milano

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Catalog of the exhibition held at the Hakone Open-Air Museum, Hakone, 1994.

With texts by Giovanni Carandente and Sam Hunter.

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2007

The Epic of Gilgamesh is the oldest epic poem known to humanity, the earliest form of writing ever discovered, dating back over 4,000 years. The deeds of the Sumerian hero, inscribed on clay tablets, were uncovered in Iraq—ancient Mesopotamia—the land of rivers where the first human civilizations were born, and where, in the ancient city of Nineveh, the first library in history was established.

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Arnaldo Pomodoro, Chalcography applied on paper, 2001. 

35 × 25 cm

Edition: 24 + 2 artist's proofs, this is number 5 of 24.

Printing house: Arte 3 di Alberto Serighelli, Milano

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Volume published on the occasion of the donation of the Sfera con sfera sculpture (1991) to the United Nations. It documents the project, the creation, assembly and installation of the work in New York in front of the UN Building, in 1996. It contains an introductory text by Sam Hunter and gives an account of the evolution of the ‘sphere’ in Arnaldo Pomodoro’s work.

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Gianni Rodari and Bruno Munari have always paid close attention to the world of childhood, united by a shared desire to free images and words, helping us discover the joy of invention, imagination, and creativity.

By combining seemingly opposite and distant elements, imagining unexpected syntheses and solutions, they gave new meanings to letters and signs, pursuing parallel paths for years that also converged in books such as Filastrocche in cielo e in terra, Favole al telefono, Il pianeta degli alberi di Natale, Il libro degli errori, La torta in cielo, Il gioco dei quattro cantoni, and C’era due volte il barone Lamberto.

In the illustrations created for Rodari, Bruno Munari manages, with his lightness and unmistakable style, to recreate the same poetry found in Rodari’s stories and rhymes, enriching their fantastical side and their ability to amaze.

In this book, a rich selection of Munari’s “signs” is accompanied—not only by quotes from various Rodari books—but also by a testimony from Antonio Faeti and unpublished texts by Riccardo Falcinelli and Marco Belpoliti. These texts explore how Munari’s drawings fit into the history of children’s illustration, focusing on their reception and their nature as “doodles.”

A book to read and look at, to complete with your own “crooked signs and scribbles” or, on the contrary, to use as a starting point to invent new stories, letting yourself be inspired by the images.

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Album + 3 sticker packs

The collection guides the reader on an extraordinary journey through history, discovering the remarkable achievements of artists and scientists. Through the special lens of art, it highlights works, inventions, and technology—products of human ingenuity and creativity that have revolutionized history and continue to drive the world today—from the pyramids of ancient Egypt, through Brunelleschi’s dome, to the invention of the microscope and telescope, and the latest space missions. Alongside the Artonauts, the protagonists of this story are the architects, artists, and scientists who have left their mark on human history, shaping the reality we know today.

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Arnaldo Pomodoro, Chalcography applied on paper, 2001. 

35 × 25 cm

Edition: 24 + 2 artist's proofs, this is number 23 of 24.

Printing house: Arte 3 di Alberto Serighelli, Milano

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Introduction by Paolo Di Stefano and poems by Nanni Balestrini, Guido Ballo, Tonino Guerra, Emilio Isgrò, Francesco Leonetti, Jean Michel (in art Dangelo), Aldo Nove, Frank O'Hara, Roberto Sanesi, Evelina Schatz, Miklos N. Varga dedicate to Arnaldo Pomodoro from 1964 to 2016.

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Each Argonaut box contains 25 sticker packets.

Each packet contains 5 stickers and 1 Twin Card.

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A6-sized sticker sheet

Dimensions: 14.8 x 10.5 cm

Products created in collaboration with Addvent

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Catalogue of the exhibition presented at the Musée d'art moderne de la Ville de Paris in 1976.

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Carla Accardi was one of the most important figures in international contemporary art.

She was the only woman among the founders of the Forma 1 group, a protagonist of the Italian Femmist movement, and contributed to the development of Abstractism in Italy.

This volume takes us on a journey to discover the continuous and multifaceted artistic experimentation of this great painter, who used colour, shapes, signs and innovative materials - such as sicofoil - to create works into which we literally enter, let ourselves be enveloped by light, colours, shapes and signs and set off on a new adventure and exploration of the self.

This book is in Italian.

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T-shirt Disco

100% organic cotton

Available Sizes: XS, S - M - L-XL

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First critical study that distinguishes and analyses the work of the 2 Pomodoro brothers.

English edition: From the poetics of the sign to continous presence. Arnaldo and Giò Pomodoro, Luigi Maestri editore, Milano, 1962

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Blue cotton shopper Fondazione Arnaldo Pomodoro with inner pocket

Measures 21 × 13.5 × 3 cm

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Tote bag in cotton

28 x 39 cm

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First complete survey about the work by Arnaldo Pomodoro through voices and critical interpretations. It cointains essays by Guido Ballo, Alberto Boatto, Gillo Dorfles, a presentation by Sam Hunter, a long conversation  of the artist with Francesco Leonetti. Images are by Ugo Mulas.

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An ancient Chinese saying goes: "Infinity is a square without corners." This shape has always symbolized the idea of enclosure, of home, of country, and accompanies human life in everyday situations — from churches to town squares, from road signs to advertising posters, from Chinese ideograms to Pythagorean tables.

Once again, Bruno Munari amazes us with a work that straddles history, anthropology, and the natural sciences — naturally, in a square format.

This volume, along with The Circle and The Triangle, is part of a special trilogy by Munari dedicated to these shapes, their history, meanings, and uses.

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KOOL. A Type Specimen is an artist’s book built around KOOL (“cabbage” in Dutch), a new font designed by Reus in collaboration with Antonio de la Hera and Kia Tasbihgou. Halfway between a vegetal alphabet and concrete poetry, the KOOL font includes 26 lowercase letters, 26 uppercase letters, a full set of numbers, 16 punctuation marks, and 6 symbols. It is the result of a three-year research project by the artist, focused on the visual and calligraphic relationship between red cabbage scraps and the letters of the Latin alphabet. The book created by Reus to present the font takes inspiration from the traditional format of the type specimen book—the sample book used by type foundries to showcase the wide range of graphic possibilities, layouts, and configurations of a new typeface.  

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