Catalogue of the exhibition presented at the Musée d'art moderne de la Ville de Paris in 1976.

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Gianni Rodari and Bruno Munari have always paid close attention to the world of childhood, united by a shared desire to free images and words, helping us discover the joy of invention, imagination, and creativity.

By combining seemingly opposite and distant elements, imagining unexpected syntheses and solutions, they gave new meanings to letters and signs, pursuing parallel paths for years that also converged in books such as Filastrocche in cielo e in terra, Favole al telefono, Il pianeta degli alberi di Natale, Il libro degli errori, La torta in cielo, Il gioco dei quattro cantoni, and C’era due volte il barone Lamberto.

In the illustrations created for Rodari, Bruno Munari manages, with his lightness and unmistakable style, to recreate the same poetry found in Rodari’s stories and rhymes, enriching their fantastical side and their ability to amaze.

In this book, a rich selection of Munari’s “signs” is accompanied—not only by quotes from various Rodari books—but also by a testimony from Antonio Faeti and unpublished texts by Riccardo Falcinelli and Marco Belpoliti. These texts explore how Munari’s drawings fit into the history of children’s illustration, focusing on their reception and their nature as “doodles.”

A book to read and look at, to complete with your own “crooked signs and scribbles” or, on the contrary, to use as a starting point to invent new stories, letting yourself be inspired by the images.

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Reproduction of the “Black Roll”, “Yellow Roll”, “Silver Roll” by Carla Accardi. The packaging is designed to complement the artwork, it’s advised not to open. Courtesy of the Accardi Sanfilippo Archives. All rights reserved. Limited edition.

Reproduction of the “Silver roll” 20 x 12 cm

Reproduction of the “Yellow roll” 25 x 43 cm

Reproduction of the “Black roll” 25 x 43 cm

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Blue cotton shopper Fondazione Arnaldo Pomodoro with inner pocket

Measures 21 × 13.5 × 3 cm

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Tote bag in cotton

28 x 39 cm

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Catalogue of the exhibition at Castello di Soliera, October 2020

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Volume dedicated to the genesis and realisation of the work arising from the collaboration between Arnaldo Pomodoro and Giuseppe Maraniello for the Cathedral of Milwaukee. Essay by Marco Meneguzzo and photographs by Alberto Piovano.

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Red cotton shopper Fondazione Arnaldo Pomodoro

Measures 21.5 × 13.5 × 3 cm

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This volume traces a path that explores the lesser-known aspects of Arnaldo Pomodoro's work, presenting mostly unpublished material from his archive.
An itinerary that allows us to examine the constant relationship in the artist's research between micro-dimension, the one linked above all to the design and creation of artist's jewelry, and macro-dimensional interventions of an architectural and landscape nature.

Arnaldo Pomodoro: il movimento possibile gathers together for the first time a set of previously unpublished works created from the second half of the 1950s onwards, offering the reader a unique opportunity to explore the artist's beginnings and the most important stages of his career, accounting for friendships and collaborations with poets such as Paolo Volponi, Attilio Bertolucci and Emilio Villa.

Arnaldo Pomodoro: il movimento possibile, curated by Alberto Salvadori and realized in collaboration with the Arnaldo Pomodoro Foundation, stems from the exhibition held at Galleria Cortesi in Palazzo Morigi, Milan.

Photo credit: Società Editrice Allemandi, 2025

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Poster realized in collaboration with Almo Collegio Borromeo in Pavia, in occasion of the opening of the Horti&Arte
2022, h 70 x 50 cm



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2017

Purchase a gift card for a workshop for YOUNG AND ADULTS of your choice to be held at Arnaldo Pomodoro's Studio. You can directly fill in the recipient's details below, and once the purchase process is completed, they will receive a code to use during checkout to waive the cost of the visit.

The visit will be held in italian.

Catalogue published on the occasion of the exhibition held at the Foundation "Loris Cecchini. Modulo e modello" (March - June 2014, curated by Marco Meneguzzo), winner of the 3rd edition of the Arnaldo Pomodoro Sculpture Prize.

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The "Labyrinth" magnet

dimension 8,5 × 5,5 cm



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Purchase a gift card for an ADULT guided tour of the Arnaldo Pomodoro Labyrinth.

You will be able to fill in directly below with the recipient's information, who, after completing the purchase process, will receive a code that can be used at checkout to cancel the cost of the visit.

The visit will be held in Italian.

Catalogue published on the occasion of the exhibition held at the Foundation "Antonella Zazzera" (May - July 2016, curated by Ada Masoero), winner of the 4th edition of the Arnaldo Pomodoro Sculpture Prize. Publisher: Arnaldo Pomodoro Foundation.

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2016

Glass globe of the city of Pesaro containing a reproduction of Arnaldo Pomodoro’s famous sculpture.

 7 x 5 cm

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Catalogue published in occasione of the exhibition  Personal Protective Demon  by Candice Lin winner of the sixth edition of theArnaldo Pomodoro Sculpture Prize (14/4 – 18/6/2023, Galleria d’Arte Moderna di Milano). Interview by Pavel Pys to Candice Lin.

Text in Italian and English

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The "Labyrinth" magnet

dimension 8,5 × 5,5 cm

From the plant structure of coconuts to the layout of human settlements according to Le Corbusier, the shape of the equilateral triangle appears—both in nature and in human creations—in a wide variety of contexts.

A basic geometric shape alongside the circle and the square, the equilateral triangle lends itself to modular combinations, generating structured fields in which countless other forms can be created. From classical Arab and Japanese decorative art to the contemporary architecture of Buckminster Fuller and Wright, the study of the equilateral triangle—in all its aspects and formal and structural possibilities—has led to fascinating and thought-provoking results and experiments.

Dopo i volumi dedicati al quadrato e al cerchio, vengono ora riproposti gli spunti e le riflessioni di Bruno Munari a proposito delle decine di usi nei secoli di questa affascinante e misteriosa forma, originariamente pubblicati nel 1976 per Zanichelli nella collana da lui stesso curata Quaderni di design.

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Catalogue published on the occasion of the exhibition "The Falseness of Holes by Aleksandra Domanović", winner of the fifth edition of the Arnaldo Pomodoro Sculpture Prize (12/11/2019 - 06/01/2020, Galleria d’Arte Moderna, Milan). It contains a long interview by Mason Leaver-Yap with Aleksandra Domanović, which tells the genesis and the sense of The Falseness of Holes, an augmented reality app that interacts with the Portinaia by Medardo Rosso (1883-1884), reflecting on the potential inherent in the threshold that separates real and virtual.

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2017

“God is a circle whose center is everywhere and whose circumference is nowhere.”

The circle is associated with perfection, cyclicality, and the superiority of the divine, but also with instability and motion. In nature, soap bubbles are spherical, and the growth rings of trees are circular. Legend has it that Giotto’s “O” was a perfect circle, while perfection becomes tangible in Michelangelo’s Doni Tondo and Botticelli’s Madonna and Child. King Arthur’s knights gathered around a round table to symbolize their equality—just as today we gather in circles to make decisions or watch a performance.

In this extraordinary little encyclopedia, Bruno Munari collects and describes dozens of uses of this fascinating and mysterious shape throughout the centuries—at once as unstable as it is hieratic.

Together with The Square and The Triangle, it is part of a special trilogy dedicated to these shapes, their history, meanings, and uses.

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