2007

Black cardboard box with 12 Black Edition Metallic coloured pencils. Supersoft lead for amazing effects - even on dark or coloured paper.

Faber-Castell coloured pencils are proudly made from reforested pencil wood grown in FSC-certified sustainable forests.

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The Epic of Gilgamesh is the oldest epic poem known to humanity, the earliest form of writing ever discovered, dating back over 4,000 years. The deeds of the Sumerian hero, inscribed on clay tablets, were uncovered in Iraq—ancient Mesopotamia—the land of rivers where the first human civilizations were born, and where, in the ancient city of Nineveh, the first library in history was established.

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Arnaldo Pomodoro, Chalcography applied on paper, 2001. 

Dimensions with frame: 35.5 × 26 × 2 cm

Edition: 24 + 2 artist's proofs, this is number 23 of 24.

Printing house: Arte 3 di Alberto Serighelli, Milano

The framed piece can be collected exclusively in-store at Via Vigevano 3, Milan. Shipping is not available.

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Buckle in silver, 1997
12 x 7 cm
Edition of 300 pieces + 21 in roman numbers
SIZE 105
Signed and numbered, they each come with a certificate of authenticity. Realised for Orciani Srl, Fano

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Catalogue published on the occasion of the Arnaldo Pomodoro's exhibition held at MMMAC in Paestum (July 09 - August 31, 2005).

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2007

Album + 3 sticker packs

The collection guides the reader on an extraordinary journey through history, discovering the remarkable achievements of artists and scientists. Through the special lens of art, it highlights works, inventions, and technology—products of human ingenuity and creativity that have revolutionized history and continue to drive the world today—from the pyramids of ancient Egypt, through Brunelleschi’s dome, to the invention of the microscope and telescope, and the latest space missions. Alongside the Artonauts, the protagonists of this story are the architects, artists, and scientists who have left their mark on human history, shaping the reality we know today.

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The catalogue of the exhibition held at Palma de Mallorca in 1999. Critical essays by Armando Ginesi and Francisco Jarauta.

Ilonja. Casal Balaguer.

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Pack containing 3 pads of 3M Post-it notes

Measures 12,5 × 13 × 3,5 cm

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Agenda cover with slipcase, pencil holder and credit card holder

dimension 17,5 × 11 × 4 cm

In this book, Bruno Munari describes, with great seriousness and attention to detail, machines... useful or useless, but certainly unusual: machines to predict the aurora, a lizard-powered engine for tired turtles, a machine to tame alarm clocks, a tail-wagger for lazy dogs...

Le Macchine di Munari is a poetic and ironic book that stands out for its inventiveness and creativity. Here, Munari showcases his ability to blend art, design, and education, presenting a series of imaginary machines inspired by the famous American cartoonist Rube Goldberg. Each machine, though entirely a product of fantasy, is designed with a sense of realism and functionality, reflecting Munari's deep understanding of the world of design.

Munari’s Machines – collected in this book first published by Einaudi in 1942 and now available again in the Corraini Edizioni catalog – are inventions as precise as they are impossible. Described and illustrated in the finest detail, they follow their own fantastic mechanics and, to our great delight, rebel against the obligation of having to serve a purpose.

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Each Argonaut box contains 25 sticker packets.

Each packet contains 5 stickers and 1 Twin Card.

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2007

"The travel sculptures were originally created as small pieces (some even pocket-sized) to carry around or to have a piece of one’s own culture in an anonymous hotel room. Later, they became large ‘travel’ sculptures in steel, five or six meters tall. One was exhibited for a few months in Cesenatico, others along the seafront in Naples. Still others rest among tall trees in South Tyrol." - Bruno Munari, Bruno Munari Group Exhibition

This is how Bruno Munari described his famous 'travel sculptures', which American illustrator and designer David A. Carter has reinterpreted in this pop-up book.

Carter himself describes it this way: "The book you are holding explores a particular aspect of Munari’s work: the travel sculptures. Munari was an extremely experimental artist, and I believe he created these sculptures by experimenting with paper and the many ways it can be folded. Most of these works are made of paper, like modern pop-up books, while others are made of wood, with leather inserts, and still others in metal. I hope you’ll love Bruno Munari’s travel sculptures as much as I do. And don’t forget to take this book with you on your travels."

Munari’s Travel Sculptures is a tribute to Bruno Munari’s creativity and his innovative approach to the book as a vehicle of communication—not only through text, but also through format, paper, and color.

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T-shirt Disco

100% organic cotton

Available Sizes: XS, S - M - L-XL

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Catalog of the exhibition held at the Hakone Open-Air Museum, Hakone, 1994.

With texts by Giovanni Carandente and Sam Hunter.

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2007

Guarda! is a book without text, suitable for manipulation and play.

Contained in a box, it opens accordion-like, there is no beginning or end but a succession of colors between pages that play hide-and-seek.

To add fun, a material simulating a mirror has been included!

The format of the book is suitable for the grasp of small hands and encourages the child to make it his own: the book opens, folds, you can look at it from both sides, you can lay it on the floor, on your lap...

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Volume published on the occasion of the donation of the Sfera con sfera sculpture (1991) to the United Nations. It documents the project, the creation, assembly and installation of the work in New York in front of the UN Building, in 1996. It contains an introductory text by Sam Hunter and gives an account of the evolution of the ‘sphere’ in Arnaldo Pomodoro’s work.

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KOOL. A Type Specimen is an artist’s book built around KOOL (“cabbage” in Dutch), a new font designed by Reus in collaboration with Antonio de la Hera and Kia Tasbihgou. Halfway between a vegetal alphabet and concrete poetry, the KOOL font includes 26 lowercase letters, 26 uppercase letters, a full set of numbers, 16 punctuation marks, and 6 symbols. It is the result of a three-year research project by the artist, focused on the visual and calligraphic relationship between red cabbage scraps and the letters of the Latin alphabet. The book created by Reus to present the font takes inspiration from the traditional format of the type specimen book—the sample book used by type foundries to showcase the wide range of graphic possibilities, layouts, and configurations of a new typeface.  

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A new concept of travel book: a coloring booklet, in dialogue with the original drawings of Giuseppe Di Lernia and Daniele Morganti, and a guide to read to discover curiosities and news on the most beautiful cities in Italy.

A project by Officina Libraria in collaboration with Officine Buena Vista MiMaster, Milan 2016

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Sette poesie di Guido Ballo, Un pensiero visivo di Arnaldo Pomodoro, 1991

Livre de peintre

29,5 × 21 × 2 cm

Chalcographic engraving in the text (29,5 × 420 cm) and on the lead ligature, Vigna Antoniniana Stamperia d'Arte, Rome

90 exemplars Arabic numerals + XV Roman numerals

2RC Edizioni d'Arte, Rome

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A6-sized sticker sheet

Dimensions: 14.8 x 10.5 cm

Products created in collaboration with Addvent

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