Book that documents the conferral of Honorary degree in building engineering and architecture to Arnaldo Pomodoro by the Università degli Studi di Ancona.

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2007

Enamelled metal.

Diameter 2,5 cm.

Each symbol is designed by Arnaldo Pomodoro.

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Arnaldo Pomodoro, Chalcography applied on paper, 2001. 

35 × 25 cm

Edition: 24 + 2 artist's proofs, this is number 3 of 24.

Printing house: Arte 3 di Alberto Serighelli, Milano

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Arnaldo Pomodoro, watch for Swatch, 1997
Stainless steel watch with embossed flexible metal strap, contained in a metal box, made for Swatch
Edition of 700 numbered and signed on the back
Available specimen 682/700

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Catalogue published on the occasion of the exhibition "The Falseness of Holes by Aleksandra Domanović", winner of the fifth edition of the Arnaldo Pomodoro Sculpture Prize (12/11/2019 - 06/01/2020, Galleria d’Arte Moderna, Milan). It contains a long interview by Mason Leaver-Yap with Aleksandra Domanović, which tells the genesis and the sense of The Falseness of Holes, an augmented reality app that interacts with the Portinaia by Medardo Rosso (1883-1884), reflecting on the potential inherent in the threshold that separates real and virtual.

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Boxed set of catalogues relating to the two exhibitions held in Summer 1995 in Rimini at the Museo della Città and at Cesena at the Rocca Malatestiana and the Ex Pescheria Art Gallery. Critical texts by the curator Renato Barilli.

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2007

FILA Tratto Clip felt-tip pen with Arnaldo Pomodoro Foundation logo

Measures 14 × 1,5 × 1 cm

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In this book, Bruno Munari describes, with great seriousness and attention to detail, machines... useful or useless, but certainly unusual: machines to predict the aurora, a lizard-powered engine for tired turtles, a machine to tame alarm clocks, a tail-wagger for lazy dogs...

Le Macchine di Munari is a poetic and ironic book that stands out for its inventiveness and creativity. Here, Munari showcases his ability to blend art, design, and education, presenting a series of imaginary machines inspired by the famous American cartoonist Rube Goldberg. Each machine, though entirely a product of fantasy, is designed with a sense of realism and functionality, reflecting Munari's deep understanding of the world of design.

Munari’s Machines – collected in this book first published by Einaudi in 1942 and now available again in the Corraini Edizioni catalog – are inventions as precise as they are impossible. Described and illustrated in the finest detail, they follow their own fantastic mechanics and, to our great delight, rebel against the obligation of having to serve a purpose.

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Black cardboard box with 12 Black Edition Metallic coloured pencils. Supersoft lead for amazing effects - even on dark or coloured paper.

Faber-Castell coloured pencils are proudly made from reforested pencil wood grown in FSC-certified sustainable forests.

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rnaldo Pomodoro, Chalcography applied on paper, 2001. 

35 × 25 cm

Edition: 24 + 2 artist's proofs, this is number 12 of 24.

Printing house: Arte 3 di Alberto Serighelli, Milano

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Buckle in silver, 1997
12 x 7 cm
Edition of 300 pieces + 21 in roman numbers
SIZE 105
Signed and numbered, they each come with a certificate of authenticity. Realised for Orciani Srl, Fano

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The catalogue of the exhibition held at Palma de Mallorca in 1999. Critical essays by Armando Ginesi and Francisco Jarauta.

Ilonja. Casal Balaguer.

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Catalogue published on the occasion of the exhibition held at the Foundation: "La Collezione Permanente" (September 29, 2007 - March 09, 2008) curated by Giorgio Verzotti and Angela Vettese.

This volume presents 120 works on permanent exhibition in the Foundation - sculptures, paintings, and drawings - by Arnaldo Pomodoro and by other artists that belong to his private collection.

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Agenda cover with slipcase, pencil holder and credit card holder

dimension 17,5 × 11 × 4 cm

"The travel sculptures were originally created as small pieces (some even pocket-sized) to carry around or to have a piece of one’s own culture in an anonymous hotel room. Later, they became large ‘travel’ sculptures in steel, five or six meters tall. One was exhibited for a few months in Cesenatico, others along the seafront in Naples. Still others rest among tall trees in South Tyrol." - Bruno Munari, Bruno Munari Group Exhibition

This is how Bruno Munari described his famous 'travel sculptures', which American illustrator and designer David A. Carter has reinterpreted in this pop-up book.

Carter himself describes it this way: "The book you are holding explores a particular aspect of Munari’s work: the travel sculptures. Munari was an extremely experimental artist, and I believe he created these sculptures by experimenting with paper and the many ways it can be folded. Most of these works are made of paper, like modern pop-up books, while others are made of wood, with leather inserts, and still others in metal. I hope you’ll love Bruno Munari’s travel sculptures as much as I do. And don’t forget to take this book with you on your travels."

Munari’s Travel Sculptures is a tribute to Bruno Munari’s creativity and his innovative approach to the book as a vehicle of communication—not only through text, but also through format, paper, and color.

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Arnaldo Pomodoro, Chalcography applied on paper, 2001. 

35 × 25 cm

Edition: 24 + 2 artist's proofs, this is number 21 of 24.

Printing house: Arte 3 di Alberto Serighelli, Milano

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Edited by Francesco Leonetti, Feltrinelli editore, Milano, 1982

A book on the debate that arose around the project for a new cemetery in Urbino, which—after its "victory" in the 1973 public competition—was later suspended and ultimately abandoned. It documents the arguments for and against the project, including both the criticisms and reservations expressed as well as the favorable evaluations, with contributions from critics, writers, architects, and scholars (among them Argan, Aymonino, Benevolo, Risset, Vergine, Volponi, and Zevi). The book also includes the proceedings of the public assembly held in Urbino in 1979 and a wide selection of articles published in the press over the course of approximately eight years.

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Catalogue published on the occasion of the exhibition held at the Foundation: "La scultura italiana del XX secolo" (September 24, 2005 - January 22, 2006) curated by Marco Meneguzzo.

This catalogue features the most significant moments of twentieth-century Italian sculpture as presented in the exhibition which inaugurated the new seat of the Fondazione Arnaldo Pomodoro in Milan. The exhibition presented a survey of the works by those artists who made a major contribution to the renewal of the vocabulary of twentieth-century Italian sculpture, from Medardo Rosso to the present.

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Pack containing 3 pads of 3M Post-it notes

Measures 12,5 × 13 × 3,5 cm

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2007

Guarda! is a book without text, suitable for manipulation and play.

Contained in a box, it opens accordion-like, there is no beginning or end but a succession of colors between pages that play hide-and-seek.

To add fun, a material simulating a mirror has been included!

The format of the book is suitable for the grasp of small hands and encourages the child to make it his own: the book opens, folds, you can look at it from both sides, you can lay it on the floor, on your lap...

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Arnaldo Pomodoro, Chalcography applied on paper, 2001. 

35 × 25 cm

Edition: 24 + 2 artist's proofs, this is number 16 of 24.

Printing house: Arte 3 di Alberto Serighelli, Milano

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