Catalogue published on the occasion of the exhibition held at the Foundation: "Gastone Novelli" (March 09 - May 10, 2006) curated by Flaminio Gualdoni and Walter Guadagnini. This volume is the most complete and up-to-date monograph on this artist's oeuvre.

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Catalogue of exhibition held at the Marlborough Gallery in Madrid from March 18 to April 17, 2004.

Text by Kosme de Barañano in Spanish and English.

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Catalogue published on the occasion of the Arnaldo Pomodoro's exhibition held at MMMAC in Paestum (July 09 - August 31, 2005).

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Catalogue published on the occasion of the exhibition held at the Foundation: "Cristina Iglesias. Il Senso dello Spazio" (September 29, 2009 - March 21, 2010) curated by Gloria Moure.

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"Milan. Year 1949. Lucio Fontana is working in his studio on Corso Monforte. He is not satisfied with how a painting is turning out, so he decides to destroy it. He grabs a blade and... SLASH!"

With his gesture, both destructive and innovative, Lucio Fontana managed to synthesize something unique: he was able to represent space, infinite space, with a cut in the canvas. This is how his famous Concetti Spaziali were born—works made of holes and cuts, in paper, terracotta, canvas, or metal, that Fontana created with focus and determination.

In the same series, in which the artist Gilberti tells us, with intelligence and a playful eye, the works of great figures in contemporary art, we find the stories of Yves Klein, Piero Manzoni, Marcel Duchamp, Lucio Fontana, Yayoi Kusama, and Banksy.

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"Le rive di Cartaromana", a project conceived by the municipality of Ischia in 2003. Catalog of the exhibition held in the Torre di Guevara on the island of Ischia in 2003, with texts by Massimo Bignardi.

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Mini catalogue published on the occasion of the solo exhibition held at the Foundation: "Cristina Iglesias. Il Senso dello Spazio" (September 29, 2009 - March 21, 2010) curated by Angela Vettese.

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Spray paint cans to coat walls, works that self-destruct and others that don't cost much money, unusual theme parks: that is all it takes to recognise Banksy, but no one really knows who he is.

Fausto Gilberti’s new book, dedicated to the street artist with a hidden identity, is full of question marks: Banksy is hiding somewhere, and we have a lot of fun chasing his graffiti all over the world. And we can't forget the day he put sharks in a lake in a London park, or when there were no walls around and he painted on the cows in a field. And what about the time he walked into the Louvre and hung a painting without asking permission?

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Catalogue of exhibition held in Marlborough Monaco from June 24 to September 30, 2004.

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Catalogue published on the occasion of the exhibition held at the Foundation: "Doppio sogno dell'arte" (April 18 - July 27, 2007) curated by Achille Bonito Oliva.

The volume features the entire graphic works of the masters of contemporary international art produced by the print shop 2RC of Rome.

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The artist Fausto Gilberti takes us by the hand to discover the art of Jackson Pollock, a brilliant and restless painter. One who didn’t like standing still in front of the easel, with brushes and palette in hand, but who found his own unique way of painting: he dripped, splattered, and let the paint flow, roaming around the unrolled canvas with the energy and grace of a dancer.

In the same series, where the artist Gilberti tells us, with intelligence and a playful eye, the works of great figures in contemporary art, we find the stories of Yves Klein, Piero Manzoni, Marcel Duchamp, Lucio Fontana, Yayoi Kusama, and Banksy.

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Text by Angela Vettese

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Scenic Projects from 1972 to 2002.

Catalogue curated by Dialmo Ferrari, Franco Origoni, and Anna Steiner.

Texts in Italian by Aldo Colonetti and Sam Hunter.

"On a day in May many years ago, the artist Piero Manzoni placed his feces in a metal can, thus creating his most famous work..."

This is a true story. It’s the story of Piero Manzoni. Born in Soncino on July 13, 1933, and lived in Milan until February 1963. Piero left us works full of irony and a wonderful sense of the absurd, playful and light-hearted like a child’s game. Fausto Gilberti tells us these stories just as they are, without burdening them with unnecessary explanations, managing to convey his passion for this great 20th-century artist who made art his life and his life a work of art.

In the same series, in which the artist Gilberti tells us, with intelligence and a playful eye, the works of great figures in contemporary art, we find the stories of Yves Klein, Jackson Pollock, Marcel Duchamp, Lucio Fontana, Yayoi Kusama, and Banksy.

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Text by Angela Vettese

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Catalogue of the exhibition held in the park of the Royal Palace of Caserta. from 26th May- to 30th September 2000.

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My name is Marina Abramović, and before I tell you my story, I want you to close your eyes with me for a few seconds.

For Marina Abramović, who has been passionate about art since childhood, painting was not enough.

She was fascinated by the possibility of creating with anything, with fire, with air, with smoke, and even with the human body. So she began to perform in front of audiences with performances all over the world coming to be seen by millions.

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Book that documents the conferral of Honorary degree in building engineering and architecture to Arnaldo Pomodoro by the Università degli Studi di Ancona.

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From Japan to America and back: in his new book, Fausto Gilberti gives the floor to Yayoi Kusama, who tells her story in the first person.

Born in Matsumoto, Yayoi has loved drawing since she was a child (even things that others don’t see) and she flies to New York to become an artist.

Her art astonishes the audience with always new ideas: Yayoi fills large canvases with grids of dots, uses her happenings to deliver important messages, and designs clothes to be worn by two people... Creating her works makes her feel good, no matter their form: from the famous pumpkins to rooms full of lights and mirrors that reflect everything infinitely.

After the books dedicated to Piero Manzoni, Yves Klein, Jackson Pollock, Marcel Duchamp, and Lucio Fontana, the series grows with Yayoi Kusama, in which the artist Fausto Gilberti tells us, with intelligence and a playful eye, the works of great figures in contemporary art.

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Edited by Diana Pace.

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Boxed set of catalogues relating to the two exhibitions held in Summer 1995 in Rimini at the Museo della Città and at Cesena at the Rocca Malatestiana and the Ex Pescheria Art Gallery. Critical texts by the curator Renato Barilli.

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Mr. Duchamp's works of art were strange and unusual. They weren't paintings and they weren't sculptures, yet they were undoubtedly art. From an artist who, laughing and joking, pushed the boundaries of art a little further.

After the books dedicated to Piero Manzoni, Yves Klein, and Jackson Pollock, the series of books grows, in which the artist Fausto Gilberti tells us, with intelligence and a playful eye, the works of great figures in contemporary art.

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The volume collects the entire corpus of Gastone Novelli's writings drawn up from 1943 to 1968, both those that have remained unpublished until today, and those already published by Achille Perilli in 1976 in a monographic issue of the Grammatica magazine.

A collection of texts that crosses the history of artistic and political Italy in the second half of the twentieth century and at the same time offers an unfiltered account of the life of this figure, who was not only a painter and artist, but also a teacher, a fervent polemic, publisher, writer and political activist.

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The catalogue of the exhibition held at Palma de Mallorca in 1999. Critical essays by Armando Ginesi and Francisco Jarauta.

Ilonja. Casal Balaguer.

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