Arnaldo Pomodoro, Chalcography applied on paper, 2001. 

Dimensions with frame: 35.5 × 26 × 2 cm

Edition: 24 + 2 artist's proofs, this is number 8 of 24.

Printing house: Arte 3 di Alberto Serighelli, Milano

The framed piece can be collected exclusively in-store at Via Vigevano 3, Milan. Shipping is not available.

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Boxed set of catalogues relating to the two exhibitions held in Summer 1995 in Rimini at the Museo della Città and at Cesena at the Rocca Malatestiana and the Ex Pescheria Art Gallery. Critical texts by the curator Renato Barilli.

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Enamelled metal.

Diameter 2,5 cm.

Each symbol is designed by Arnaldo Pomodoro.

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Each Argonaut box contains 25 sticker packets.

Each packet contains 5 stickers and 1 Twin Card.

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FILA Tratto Clip felt-tip pen with Arnaldo Pomodoro Foundation logo

Measures 14 × 1,5 × 1 cm

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Earrings with cabochon-cut stone diameter 1.3 cm, specially cut for Biba Ornamenti by a master cutter.

Handmade using the ancient lost-wax casting technique. 

Each piece is unique. Please select the desired stone before adding to your cart.

Available pieces:

• in 925 sterling silver and White Chalcedony;

• in bronze and Rose Quartz;

• in bronze and Amethyst;

• in bronze and Blue Chalcedony.

The hook of each earring is made of 925 sterling silver.

Photo credit: Serena Gallorini

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T-shirt Disco

100% organic cotton

Available Sizes: XS, S - M - L-XL

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Arnaldo Pomodoro, Chalcography applied on paper, 2001. 

Dimensions with frame: 35.5 × 26 × 2 cm

Edition: 24 + 2 artist's proofs, this is number 23 of 24.

Printing house: Arte 3 di Alberto Serighelli, Milano

The framed piece can be collected exclusively in-store at Via Vigevano 3, Milan. Shipping is not available.

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Catalogue published on the occasion of the Arnaldo Pomodoro's exhibition held at MMMAC in Paestum (July 09 - August 31, 2005).

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My name is Marina Abramović, and before I tell you my story, I want you to close your eyes with me for a few seconds.

For Marina Abramović, who has been passionate about art since childhood, painting was not enough.

She was fascinated by the possibility of creating with anything, with fire, with air, with smoke, and even with the human body. So she began to perform in front of audiences with performances all over the world coming to be seen by millions.

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The catalogue of the exhibition held at Palma de Mallorca in 1999. Critical essays by Armando Ginesi and Francisco Jarauta.

Ilonja. Casal Balaguer.

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KOOL. A Type Specimen is an artist’s book built around KOOL (“cabbage” in Dutch), a new font designed by Reus in collaboration with Antonio de la Hera and Kia Tasbihgou. Halfway between a vegetal alphabet and concrete poetry, the KOOL font includes 26 lowercase letters, 26 uppercase letters, a full set of numbers, 16 punctuation marks, and 6 symbols. It is the result of a three-year research project by the artist, focused on the visual and calligraphic relationship between red cabbage scraps and the letters of the Latin alphabet. The book created by Reus to present the font takes inspiration from the traditional format of the type specimen book—the sample book used by type foundries to showcase the wide range of graphic possibilities, layouts, and configurations of a new typeface.  

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Sette poesie di Guido Ballo, Un pensiero visivo di Arnaldo Pomodoro, 1991

Livre de peintre

29,5 × 21 × 2 cm

Chalcographic engraving in the text (29,5 × 420 cm) and on the lead ligature, Vigna Antoniniana Stamperia d'Arte, Rome

90 exemplars Arabic numerals + XV Roman numerals

2RC Edizioni d'Arte, Rome

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Catalog of the exhibition held at the Hakone Open-Air Museum, Hakone, 1994.

With texts by Giovanni Carandente and Sam Hunter.

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Reproduction of the “Black Roll”, “Yellow Roll”, “Silver Roll” by Carla Accardi. The packaging is designed to complement the artwork, it’s advised not to open. Courtesy of the Accardi Sanfilippo Archives. All rights reserved. Limited edition.

Reproduction of the “Silver roll” 20 x 12 cm

Reproduction of the “Yellow roll” 25 x 43 cm

Reproduction of the “Black roll” 25 x 43 cm

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Volume published on the occasion of the donation of the Sfera con sfera sculpture (1991) to the United Nations. It documents the project, the creation, assembly and installation of the work in New York in front of the UN Building, in 1996. It contains an introductory text by Sam Hunter and gives an account of the evolution of the ‘sphere’ in Arnaldo Pomodoro’s work.

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"The travel sculptures were originally created as small pieces (some even pocket-sized) to carry around or to have a piece of one’s own culture in an anonymous hotel room. Later, they became large ‘travel’ sculptures in steel, five or six meters tall. One was exhibited for a few months in Cesenatico, others along the seafront in Naples. Still others rest among tall trees in South Tyrol." - Bruno Munari, Bruno Munari Group Exhibition

This is how Bruno Munari described his famous 'travel sculptures', which American illustrator and designer David A. Carter has reinterpreted in this pop-up book.

Carter himself describes it this way: "The book you are holding explores a particular aspect of Munari’s work: the travel sculptures. Munari was an extremely experimental artist, and I believe he created these sculptures by experimenting with paper and the many ways it can be folded. Most of these works are made of paper, like modern pop-up books, while others are made of wood, with leather inserts, and still others in metal. I hope you’ll love Bruno Munari’s travel sculptures as much as I do. And don’t forget to take this book with you on your travels."

Munari’s Travel Sculptures is a tribute to Bruno Munari’s creativity and his innovative approach to the book as a vehicle of communication—not only through text, but also through format, paper, and color.

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Guarda! is a book without text, suitable for manipulation and play.

Contained in a box, it opens accordion-like, there is no beginning or end but a succession of colors between pages that play hide-and-seek.

To add fun, a material simulating a mirror has been included!

The format of the book is suitable for the grasp of small hands and encourages the child to make it his own: the book opens, folds, you can look at it from both sides, you can lay it on the floor, on your lap...

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A6-sized sticker sheet

Dimensions: 14.8 x 10.5 cm

Products created in collaboration with Addvent

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Catalogue of the exhibition at Castello di Soliera, October 2020

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A new concept of travel book: a coloring booklet, in dialogue with the original drawings of Giuseppe Di Lernia and Daniele Morganti, and a guide to read to discover curiosities and news on the most beautiful cities in Italy.

A project by Officina Libraria in collaboration with Officine Buena Vista MiMaster, Milan 2016

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Volume dedicated to the genesis and realisation of the work arising from the collaboration between Arnaldo Pomodoro and Giuseppe Maraniello for the Cathedral of Milwaukee. Essay by Marco Meneguzzo and photographs by Alberto Piovano.

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Blue cotton shopper Fondazione Arnaldo Pomodoro with inner pocket

Measures 21 × 13.5 × 3 cm

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Earrings with cabochon-cut stone diameter 1.3 cm, specially cut for Biba Ornamenti by a master cutter.

Handmade using the ancient lost-wax casting technique. 

One-of-a-kind piece made in 9-carat gold and Carnelian.

Photo credit: Camilla Riccardi

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This volume traces a path that explores the lesser-known aspects of Arnaldo Pomodoro's work, presenting mostly unpublished material from his archive.
An itinerary that allows us to examine the constant relationship in the artist's research between micro-dimension, the one linked above all to the design and creation of artist's jewelry, and macro-dimensional interventions of an architectural and landscape nature.

Arnaldo Pomodoro: il movimento possibile gathers together for the first time a set of previously unpublished works created from the second half of the 1950s onwards, offering the reader a unique opportunity to explore the artist's beginnings and the most important stages of his career, accounting for friendships and collaborations with poets such as Paolo Volponi, Attilio Bertolucci and Emilio Villa.

Arnaldo Pomodoro: il movimento possibile, curated by Alberto Salvadori and realized in collaboration with the Arnaldo Pomodoro Foundation, stems from the exhibition held at Galleria Cortesi in Palazzo Morigi, Milan.

Photo credit: Società Editrice Allemandi, 2025

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Gianni Rodari and Bruno Munari have always paid close attention to the world of childhood, united by a shared desire to free images and words, helping us discover the joy of invention, imagination, and creativity.

By combining seemingly opposite and distant elements, imagining unexpected syntheses and solutions, they gave new meanings to letters and signs, pursuing parallel paths for years that also converged in books such as Filastrocche in cielo e in terra, Favole al telefono, Il pianeta degli alberi di Natale, Il libro degli errori, La torta in cielo, Il gioco dei quattro cantoni, and C’era due volte il barone Lamberto.

In the illustrations created for Rodari, Bruno Munari manages, with his lightness and unmistakable style, to recreate the same poetry found in Rodari’s stories and rhymes, enriching their fantastical side and their ability to amaze.

In this book, a rich selection of Munari’s “signs” is accompanied—not only by quotes from various Rodari books—but also by a testimony from Antonio Faeti and unpublished texts by Riccardo Falcinelli and Marco Belpoliti. These texts explore how Munari’s drawings fit into the history of children’s illustration, focusing on their reception and their nature as “doodles.”

A book to read and look at, to complete with your own “crooked signs and scribbles” or, on the contrary, to use as a starting point to invent new stories, letting yourself be inspired by the images.

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Red cotton shopper Fondazione Arnaldo Pomodoro

Measures 21.5 × 13.5 × 3 cm

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Purchase a gift card for an ADULT guided tour of the Arnaldo Pomodoro Labyrinth.

You will be able to fill in directly below with the recipient's information, who, after completing the purchase process, will receive a code that can be used at checkout to cancel the cost of the visit.

The visit will be held in Italian.

From the plant structure of coconuts to the layout of human settlements according to Le Corbusier, the shape of the equilateral triangle appears—both in nature and in human creations—in a wide variety of contexts.

A basic geometric shape alongside the circle and the square, the equilateral triangle lends itself to modular combinations, generating structured fields in which countless other forms can be created. From classical Arab and Japanese decorative art to the contemporary architecture of Buckminster Fuller and Wright, the study of the equilateral triangle—in all its aspects and formal and structural possibilities—has led to fascinating and thought-provoking results and experiments.

Dopo i volumi dedicati al quadrato e al cerchio, vengono ora riproposti gli spunti e le riflessioni di Bruno Munari a proposito delle decine di usi nei secoli di questa affascinante e misteriosa forma, originariamente pubblicati nel 1976 per Zanichelli nella collana da lui stesso curata Quaderni di design.

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“God is a circle whose center is everywhere and whose circumference is nowhere.”

The circle is associated with perfection, cyclicality, and the superiority of the divine, but also with instability and motion. In nature, soap bubbles are spherical, and the growth rings of trees are circular. Legend has it that Giotto’s “O” was a perfect circle, while perfection becomes tangible in Michelangelo’s Doni Tondo and Botticelli’s Madonna and Child. King Arthur’s knights gathered around a round table to symbolize their equality—just as today we gather in circles to make decisions or watch a performance.

In this extraordinary little encyclopedia, Bruno Munari collects and describes dozens of uses of this fascinating and mysterious shape throughout the centuries—at once as unstable as it is hieratic.

Together with The Square and The Triangle, it is part of a special trilogy dedicated to these shapes, their history, meanings, and uses.

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Poster realized in collaboration with Almo Collegio Borromeo in Pavia, in occasion of the opening of the Horti&Arte
2022, h 70 x 50 cm



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Catalogue published on the occasion of the exhibition held at the Foundation "Loris Cecchini. Modulo e modello" (March - June 2014, curated by Marco Meneguzzo), winner of the 3rd edition of the Arnaldo Pomodoro Sculpture Prize.

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Mr. Duchamp's works of art were strange and unusual. They weren't paintings and they weren't sculptures, yet they were undoubtedly art. From an artist who, laughing and joking, pushed the boundaries of art a little further.

After the books dedicated to Piero Manzoni, Yves Klein, and Jackson Pollock, the series of books grows, in which the artist Fausto Gilberti tells us, with intelligence and a playful eye, the works of great figures in contemporary art.

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Catalogue published on the occasion of the exhibition held at the Foundation "Antonella Zazzera" (May - July 2016, curated by Ada Masoero), winner of the 4th edition of the Arnaldo Pomodoro Sculpture Prize. Publisher: Arnaldo Pomodoro Foundation.

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Workshop created thanks to the support of Faber-Castell

Location: Fondazione Arnaldo Pomodoro, via Vigevano 3 (intercom 61) / inner courtyard, Milano

Costo: 17€ full price / 14€ reduced (for discounts please refer to the list below) / 8,5€ reduced ticket for teachers and young people aged 18–26.

1. Reservations cannot be changed, canceled, or refunded. Tickets may be transferred to third parties.

2. Limited spots, online booking is recommended.

3. Entry will not be allowed more than 5 minutes after the activity starts. Punctuality is strongly recommended.

4. During the purchase process, only one type of ticket can be added to the cart at a time.

5. Animals are not allowed.

Catalogue published in occasione of the exhibition  Personal Protective Demon  by Candice Lin winner of the sixth edition of theArnaldo Pomodoro Sculpture Prize (14/4 – 18/6/2023, Galleria d’Arte Moderna di Milano). Interview by Pavel Pys to Candice Lin.

Text in Italian and English

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The "Labyrinth" magnet

dimension 8,5 × 5,5 cm



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Workshop created thanks to the support of Faber-Castell

Duration: 90 minutes

Location: Fondazione Arnaldo Pomodoro, via Vigevano 3 (intercom 61) / inner courtyard, Milano

Ticket cost per kid: 10€

Ticket cost per adult: 13€ full price/10€ reduction (for discounts please refer to the list below)/6.5€ reduced ticket for teachers and young people aged 18–26.

1. At least one adult per family group is required. The adult always takes part in the activity and must have a ticket. Minors remain under the full responsibility of the accompanying adult.

2. Reservations cannot be changed, canceled, or refunded. Tickets may be transferred to third parties.

3. Limited spots, online booking is recommended.

4. Entry will not be allowed more than 5 minutes after the activity starts. Punctuality is strongly recommended.

5. During the purchase process, only one type of ticket can be added to the cart at a time.

6. Animals are not allowed.

Catalogue published on the occasion of the exhibition "The Falseness of Holes by Aleksandra Domanović", winner of the fifth edition of the Arnaldo Pomodoro Sculpture Prize (12/11/2019 - 06/01/2020, Galleria d’Arte Moderna, Milan). It contains a long interview by Mason Leaver-Yap with Aleksandra Domanović, which tells the genesis and the sense of The Falseness of Holes, an augmented reality app that interacts with the Portinaia by Medardo Rosso (1883-1884), reflecting on the potential inherent in the threshold that separates real and virtual.

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2016

Tote bag in natural cotton (250 gsm) with colored cotton handles

Printed on both sides

Size: 38 × 42 cm, 8 cm side gusset, 70 cm long handles

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The "Labyrinth" magnet

dimension 8,5 × 5,5 cm

When: every Saturday and Sunday from the 1st of October 2025 until the 31th of May 2026

Time: from 11:00am until 7:00pm (last entry 18:30)

Where: Fondazione Arnaldo Pomodoro, via Vigevano 3 (intercom 61) / inner courtyard, Milano

Price: €8 full price / €5 reduced (for discounts, please consult the list below) / free for under 26s, teachers, members of the Foundation, the Peggy Guggenheim Collection, and ICOM.

1. Ticket can be bought both online and on site.

2. During the purchase process, you need to add one type of ticket to the cart at a time.

3. Ticket holders who purchased online can go directly to the exhibition without going through the ticket office.

4. Animals are not allowed

5. The spaces of the Arnaldo Pomodoro Studio are not fully accessible to individuals with severe mobility disabilities. The workshop and the hall are easily accessible, while the passage to the office and design room has steps.

2017

DVD produced by the Fondazione Arnaldo Pomodoro, in partnership with UniCredit Bank, featuring a film shot by Ermanno Olmi during the preparation of the Jannis Kounellis exhibition, "Atto unico". As Olmi himself wrote, this is a short "film-cum-shadowing", a "resonance of images that still persist in one's memory, like at the end of a wonderful journey; a merry-go-round of the most beguiling evocations, flashes fixed in the mind that return and are recomposed in keeping with a free consequentiality of time".

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Necklace from the "Punto colore" series by GianCarlo Montebello

18-karat yellow gold and colored resins

Double-faced jewel in two colors: red and blue

Chain length: 42 cm

Resin's diameter 9mm

Made using the lost-was casting technique