Lupetti Editore, 1999

Enamelled metal.

Diameter 2,5 cm.

Each symbol is designed by Arnaldo Pomodoro.

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Arnaldo Pomodoro, Chalcography applied on paper, 2001. 

Dimensions with frame: 35.5 × 26 × 2 cm

Edition: 24 + 2 artist's proofs, this is number 8 of 24.

Printing house: Arte 3 di Alberto Serighelli, Milano

The framed piece can be collected exclusively in-store at Via Vigevano 3, Milan. Shipping is not available.

Purchase subject to the margin scheme, governed by Articles 36–40 of Decree-Law 41/95

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Boxed set of catalogues relating to the two exhibitions held in Summer 1995 in Rimini at the Museo della Città and at Cesena at the Rocca Malatestiana and the Ex Pescheria Art Gallery. Critical texts by the curator Renato Barilli.

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95% cotton and 5% Elastam.

Available Sizes: S/M and L/XL



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FILA Tratto Clip felt-tip pen with Arnaldo Pomodoro Foundation logo

Measures 14 × 1,5 × 1 cm

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Arnaldo Pomodoro, Chalcography applied on paper, 2001. 

Dimensions with frame: 35.5 × 26 × 2 cm

Edition: 24 + 2 artist's proofs, this is number 5 of 24.

Printing house: Arte 3 di Alberto Serighelli, Milano

Purchase subject to the margin scheme, governed by Articles 36–40 of Decree-Law 41/95

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Arnaldo Pomodoro, watch for Swatch, 1997
Stainless steel watch with embossed flexible metal strap, contained in a metal box, made for Swatch
Edition of 700 numbered and signed on the back
LAST available specimen n.682/700

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2007

Arnaldo Pomodoro, Chalcography applied on paper, 2001. 

Dimensions with frame: 35.5 × 26 × 2 cm

Edition: 24 + 2 artist's proofs, this is number 23 of 24.

Printing house: Arte 3 di Alberto Serighelli, Milano

The framed piece can be collected exclusively in-store at Via Vigevano 3, Milan. Shipping is not available.

Purchase subject to the margin scheme, governed by Articles 36–40 of Decree-Law 41/95

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Buckle in silver, 1997
12 x 7 cm
Edition of 300 pieces + 21 in roman numbers
SIZE 105
Signed and numbered, they each come with a certificate of authenticity. Realised for Orciani Srl, Fano

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Catalogue published on the occasion of the Arnaldo Pomodoro's exhibition held at MMMAC in Paestum (July 09 - August 31, 2005).

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Spiral-bound notebook,  21 × 15 cm.with 100 yellowish pages, cardboard cover avana color.

Cover illustration by Dialmo Ferrari

Ingresso nel labirinto (1995-2011) by Arnaldo Pomodoro.



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2007

Album + 3 sticker packs

The collection guides the reader on an extraordinary journey through history, discovering the remarkable achievements of artists and scientists. Through the special lens of art, it highlights works, inventions, and technology—products of human ingenuity and creativity that have revolutionized history and continue to drive the world today—from the pyramids of ancient Egypt, through Brunelleschi’s dome, to the invention of the microscope and telescope, and the latest space missions. Alongside the Artonauts, the protagonists of this story are the architects, artists, and scientists who have left their mark on human history, shaping the reality we know today.

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The catalogue of the exhibition held at Palma de Mallorca in 1999. Critical essays by Armando Ginesi and Francisco Jarauta.

Ilonja. Casal Balaguer.

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Pack containing 3 pads of 3M Post-it notes

Measures 12,5 × 13 × 3,5 cm

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Agenda cover with slipcase, pencil holder and credit card holder

dimension 17,5 × 11 × 4 cm

Each Argonaut box contains 25 sticker packets.

Each packet contains 5 stickers and 1 Twin Card.

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2007

"The travel sculptures were originally created as small pieces (some even pocket-sized) to carry around or to have a piece of one’s own culture in an anonymous hotel room. Later, they became large ‘travel’ sculptures in steel, five or six meters tall. One was exhibited for a few months in Cesenatico, others along the seafront in Naples. Still others rest among tall trees in South Tyrol." - Bruno Munari, Bruno Munari Group Exhibition

This is how Bruno Munari described his famous 'travel sculptures', which American illustrator and designer David A. Carter has reinterpreted in this pop-up book.

Carter himself describes it this way: "The book you are holding explores a particular aspect of Munari’s work: the travel sculptures. Munari was an extremely experimental artist, and I believe he created these sculptures by experimenting with paper and the many ways it can be folded. Most of these works are made of paper, like modern pop-up books, while others are made of wood, with leather inserts, and still others in metal. I hope you’ll love Bruno Munari’s travel sculptures as much as I do. And don’t forget to take this book with you on your travels."

Munari’s Travel Sculptures is a tribute to Bruno Munari’s creativity and his innovative approach to the book as a vehicle of communication—not only through text, but also through format, paper, and color.

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T-shirt Disco

100% organic cotton

Available Sizes: XS, S - M - L-XL

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Catalog of the exhibition held at the Hakone Open-Air Museum, Hakone, 1994.

With texts by Giovanni Carandente and Sam Hunter.

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2007

Guarda! is a book without text, suitable for manipulation and play.

Contained in a box, it opens accordion-like, there is no beginning or end but a succession of colors between pages that play hide-and-seek.

To add fun, a material simulating a mirror has been included!

The format of the book is suitable for the grasp of small hands and encourages the child to make it his own: the book opens, folds, you can look at it from both sides, you can lay it on the floor, on your lap...

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Volume published on the occasion of the donation of the Sfera con sfera sculpture (1991) to the United Nations. It documents the project, the creation, assembly and installation of the work in New York in front of the UN Building, in 1996. It contains an introductory text by Sam Hunter and gives an account of the evolution of the ‘sphere’ in Arnaldo Pomodoro’s work.

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KOOL. A Type Specimen is an artist’s book built around KOOL (“cabbage” in Dutch), a new font designed by Reus in collaboration with Antonio de la Hera and Kia Tasbihgou. Halfway between a vegetal alphabet and concrete poetry, the KOOL font includes 26 lowercase letters, 26 uppercase letters, a full set of numbers, 16 punctuation marks, and 6 symbols. It is the result of a three-year research project by the artist, focused on the visual and calligraphic relationship between red cabbage scraps and the letters of the Latin alphabet. The book created by Reus to present the font takes inspiration from the traditional format of the type specimen book—the sample book used by type foundries to showcase the wide range of graphic possibilities, layouts, and configurations of a new typeface.  

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A new concept of travel book: a coloring booklet, in dialogue with the original drawings of Giuseppe Di Lernia and Daniele Morganti, and a guide to read to discover curiosities and news on the most beautiful cities in Italy.

A project by Officina Libraria in collaboration with Officine Buena Vista MiMaster, Milan 2016

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Sette poesie di Guido Ballo, Un pensiero visivo di Arnaldo Pomodoro, 1991

Livre de peintre

29,5 × 21 × 2 cm

Chalcographic engraving in the text (29,5 × 420 cm) and on the lead ligature, Vigna Antoniniana Stamperia d'Arte, Rome

90 exemplars Arabic numerals + XV Roman numerals

2RC Edizioni d'Arte, Rome

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A6-sized sticker sheet

Dimensions: 14.8 x 10.5 cm

Products created in collaboration with Addvent

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Catalogue of the exhibition presented at the Musée d'art moderne de la Ville de Paris in 1976.

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Reproduction of the “Black Roll”, “Yellow Roll”, “Silver Roll” by Carla Accardi. The packaging is designed to complement the artwork, it’s advised not to open. Courtesy of the Accardi Sanfilippo Archives. All rights reserved. Limited edition.

Reproduction of the “Silver roll” 20 x 12 cm

Reproduction of the “Yellow roll” 25 x 43 cm

Reproduction of the “Black roll” 25 x 43 cm

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Blue cotton shopper Fondazione Arnaldo Pomodoro with inner pocket

Measures 21 × 13.5 × 3 cm

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Recycled organic cotton shopper 140 gr.
Size: 38 x 42 cm, handles 70 cm

Printed in fluorescent colors available in shades of red, green, light blue and fuchsia

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Catalogue of the exhibition at Castello di Soliera, October 2020

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Tote bag in cotton

28 x 39 cm

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Volume dedicated to the genesis and realisation of the work arising from the collaboration between Arnaldo Pomodoro and Giuseppe Maraniello for the Cathedral of Milwaukee. Essay by Marco Meneguzzo and photographs by Alberto Piovano.

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Red cotton shopper Fondazione Arnaldo Pomodoro

Measures 21.5 × 13.5 × 3 cm

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This volume traces a path that explores the lesser-known aspects of Arnaldo Pomodoro's work, presenting mostly unpublished material from his archive.
An itinerary that allows us to examine the constant relationship in the artist's research between micro-dimension, the one linked above all to the design and creation of artist's jewelry, and macro-dimensional interventions of an architectural and landscape nature.

Arnaldo Pomodoro: il movimento possibile gathers together for the first time a set of previously unpublished works created from the second half of the 1950s onwards, offering the reader a unique opportunity to explore the artist's beginnings and the most important stages of his career, accounting for friendships and collaborations with poets such as Paolo Volponi, Attilio Bertolucci and Emilio Villa.

Arnaldo Pomodoro: il movimento possibile, curated by Alberto Salvadori and realized in collaboration with the Arnaldo Pomodoro Foundation, stems from the exhibition held at Galleria Cortesi in Palazzo Morigi, Milan.

Photo credit: Società Editrice Allemandi, 2025

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Poster realized in collaboration with Almo Collegio Borromeo in Pavia, in occasion of the opening of the Horti&Arte
2022, h 70 x 50 cm



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Purchase a gift card for an ADULT guided tour of the Arnaldo Pomodoro Labyrinth.

You will be able to fill in directly below with the recipient's information, who, after completing the purchase process, will receive a code that can be used at checkout to cancel the cost of the visit.

The visit will be held in Italian.

Catalogue published on the occasion of the exhibition held at the Foundation "Loris Cecchini. Modulo e modello" (March - June 2014, curated by Marco Meneguzzo), winner of the 3rd edition of the Arnaldo Pomodoro Sculpture Prize.

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2017

Glass globe of the city of Pesaro containing a reproduction of Arnaldo Pomodoro’s famous sculpture.

 7 x 5 cm

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Catalogue published on the occasion of the exhibition held at the Foundation "Antonella Zazzera" (May - July 2016, curated by Ada Masoero), winner of the 4th edition of the Arnaldo Pomodoro Sculpture Prize. Publisher: Arnaldo Pomodoro Foundation.

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The "Labyrinth" magnet

dimension 8,5 × 5,5 cm



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Catalogue published in occasione of the exhibition  Personal Protective Demon  by Candice Lin winner of the sixth edition of theArnaldo Pomodoro Sculpture Prize (14/4 – 18/6/2023, Galleria d’Arte Moderna di Milano). Interview by Pavel Pys to Candice Lin.

Text in Italian and English

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2016

“God is a circle whose center is everywhere and whose circumference is nowhere.”

The circle is associated with perfection, cyclicality, and the superiority of the divine, but also with instability and motion. In nature, soap bubbles are spherical, and the growth rings of trees are circular. Legend has it that Giotto’s “O” was a perfect circle, while perfection becomes tangible in Michelangelo’s Doni Tondo and Botticelli’s Madonna and Child. King Arthur’s knights gathered around a round table to symbolize their equality—just as today we gather in circles to make decisions or watch a performance.

In this extraordinary little encyclopedia, Bruno Munari collects and describes dozens of uses of this fascinating and mysterious shape throughout the centuries—at once as unstable as it is hieratic.

Together with The Square and The Triangle, it is part of a special trilogy dedicated to these shapes, their history, meanings, and uses.

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