Catalogue published on the occasion of the exhibition "The Falseness of Holes by Aleksandra Domanović", winner of the fifth edition of the Arnaldo Pomodoro Sculpture Prize (12/11/2019 - 06/01/2020, Galleria d’Arte Moderna, Milan). It contains a long interview by Mason Leaver-Yap with Aleksandra Domanović, which tells the genesis and the sense of The Falseness of Holes, an augmented reality app that interacts with the Portinaia by Medardo Rosso (1883-1884), reflecting on the potential inherent in the threshold that separates real and virtual.

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Catalogue published on the occasion of the exhibition held at the Foundation: "La Collezione Permanente" (September 29, 2007 - March 09, 2008) curated by Giorgio Verzotti and Angela Vettese.

This volume presents 120 works on permanent exhibition in the Foundation - sculptures, paintings, and drawings - by Arnaldo Pomodoro and by other artists that belong to his private collection.

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Catalogue published on the occasion of the exhibition held at the Foundation: "La scultura italiana del XX secolo" (September 24, 2005 - January 22, 2006) curated by Marco Meneguzzo.

This catalogue features the most significant moments of twentieth-century Italian sculpture as presented in the exhibition which inaugurated the new seat of the Fondazione Arnaldo Pomodoro in Milan. The exhibition presented a survey of the works by those artists who made a major contribution to the renewal of the vocabulary of twentieth-century Italian sculpture, from Medardo Rosso to the present.

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Monologo by Leben des Galilei in German, Italian, French, and English. Text set by Rodolfo Campi on Garamond c 14 printed on Amatruda pure cotton 200 g (50 x 35 cm) by T. I. F. and an acrylic paint (38x28 cm) signed by Giorgio Griffa. Binding by Sandro Francescon.

35 exemplars Arabic numerals + XV roman numerals

Edizioni Proposte d'Arte Colophon, Belluno

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Unpublished poetries by Gillo Dorfles and two graphics (pochoir) of the same Author, numbered and signed. Text set in Garamond by Rodolfo Campi, Rozzano and printed by Tipoteca Italiana Fondazione, Cornuda, on Graphia Sicars 250g.

40 exemplars Arabic numerals

Edizioni Proposte d'Arte Colophon, Belluno

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The best monologue of theT heater’s History – in original and translated on Italian, French, Spanish and German- with an estroflessione on paper by Agostino Bonalumi, numbered and signed by the artist.

Text set by Rodolfo Campi on Garamond c 14 printed on Amatruda pure cotton 200 g (50 x 35 cm) by T. I. F. Estroflessione printed by Fabio Reolon. Binding by Sandro Francescon.

Edizioni Proposte d'Arte Colophon, Belluno

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Original Japanese text – No¯ Theater, XV Century – and Italian traslation by Luca Milasi with a brass sheet collage by Hidetoshi Nagasawa, numbered and signed by the Artist, with techincal partnership by Roberto Giudici and Tomaso Grillini. Texts composed by Rodolfo Campi on Garamond 14 pt and printed by Tipoteca Italiana Fondazione on Amatruda pure cotton 200g. Binding by Sandro Francescon. 

Edizioni Proposte d'Arte Colophon, Belluno

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Texts in original photoetching, and Italian, English (by Th. Hobbes), German, French, Spanish, Catalan, composed by Rodolfo Campi on Garamond 14 pt printed on Amatruda pure cotton 200g by Tipoteca Italiana Fondazione. Each copy with two original etchings by Davide Benati, numbered and signed by the Artist, printed by Roberto Giudici. Binding by Sandro Francescon.

Monologue by Leben des Galilei in German, Italian, French, and English. Text set by Rodolfo Campi on Garamond c 14 printed on Amatruda pure cotton 200 g (50 x 35 cm) by T. I. F. and an acrylic paint (38x28 cm) signed by Giorgio Griffa. Binding by Sandro Francescon.

Edizioni Proposte d'Arte Colophon, Belluno

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Carla Accardi was one of the most important figures in international contemporary art.

She was the only woman among the founders of the Forma 1 group, a protagonist of the Italian Femmist movement, and contributed to the development of Abstractism in Italy.

This volume takes us on a journey to discover the continuous and multifaceted artistic experimentation of this great painter, who used colour, shapes, signs and innovative materials - such as sicofoil - to create works into which we literally enter, let ourselves be enveloped by light, colours, shapes and signs and set off on a new adventure and exploration of the self.

This book is in Italian.

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An ancient Chinese saying goes: "Infinity is a square without corners." This shape has always symbolized the idea of enclosure, of home, of country, and accompanies human life in everyday situations — from churches to town squares, from road signs to advertising posters, from Chinese ideograms to Pythagorean tables.

Once again, Bruno Munari amazes us with a work that straddles history, anthropology, and the natural sciences — naturally, in a square format.

This volume, along with The Circle and The Triangle, is part of a special trilogy by Munari dedicated to these shapes, their history, meanings, and uses.

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From the plant structure of coconuts to the layout of human settlements according to Le Corbusier, the shape of the equilateral triangle appears—both in nature and in human creations—in a wide variety of contexts.

A basic geometric shape alongside the circle and the square, the equilateral triangle lends itself to modular combinations, generating structured fields in which countless other forms can be created. From classical Arab and Japanese decorative art to the contemporary architecture of Buckminster Fuller and Wright, the study of the equilateral triangle—in all its aspects and formal and structural possibilities—has led to fascinating and thought-provoking results and experiments.

Dopo i volumi dedicati al quadrato e al cerchio, vengono ora riproposti gli spunti e le riflessioni di Bruno Munari a proposito delle decine di usi nei secoli di questa affascinante e misteriosa forma, originariamente pubblicati nel 1976 per Zanichelli nella collana da lui stesso curata Quaderni di design.

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“God is a circle whose center is everywhere and whose circumference is nowhere.”

The circle is associated with perfection, cyclicality, and the superiority of the divine, but also with instability and motion. In nature, soap bubbles are spherical, and the growth rings of trees are circular. Legend has it that Giotto’s “O” was a perfect circle, while perfection becomes tangible in Michelangelo’s Doni Tondo and Botticelli’s Madonna and Child. King Arthur’s knights gathered around a round table to symbolize their equality—just as today we gather in circles to make decisions or watch a performance.

In this extraordinary little encyclopedia, Bruno Munari collects and describes dozens of uses of this fascinating and mysterious shape throughout the centuries—at once as unstable as it is hieratic.

Together with The Square and The Triangle, it is part of a special trilogy dedicated to these shapes, their history, meanings, and uses.

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